A therapist creates moving portraits of five of her most memorable patients, men and women she considers psychological heroes. Catherine Gildiner is a bestselling memoirist, a novelist, and a psychologist in private practice for twenty-five years. In Good Morning, Monster, she focuses on five patients who overcame enormous trauma--people she considers heroes. With a novelist's ...(展开全部)

A therapist creates moving portraits of five of her most memorable patients, men and women she considers psychological heroes. Catherine Gildiner is a bestselling memoirist, a novelist, and a psychologist in private practice for twenty-five years. In Good Morning, Monster, she focuses on five patients who overcame enormous trauma--people she considers heroes. With a novelist's ...(展开全部)

A child who will be named Johannes is born. An old man named Johannes dies. Between these two points, Jon Fosse gives us the details of an entire life, starkly compressed. Beginning with Johannes’s father’s thoughts as his wife goes into labor, and ending with Johannes’s own thoughts as he embarks upon a day in his life when everything is exactly the same, yet totally different...(展开全部)

The Magic Tree House whisks Jack and Annie off to the mountains of Africa. There they run into a huge mountain gorilla! At first they don’t know whether they should shake hands or turn tail. But the ominous-looking creature turns out to be surprisingly gentle. Not only that, the gorilla may be able to help them learn their next bit of magic, which Morgan has challenged them...(展开全部)

"I keep wanting him here. I keep wanting him to stay." The beloved characters from Alice Oseman's webcomic and graphic novel Heartstopper, and her stunning debut novel Solitaire, face a new challenge in this gorgeous novella, beautifully illustrated by Alice! Nick and Charlie are about to say goodbye, as Nick leaves for university and Charlie is left behind. Is their love stron...(展开全部)

First published in 1958, ‘Saturday Night and Sunday Morning’ achieved instant critical acclaim and helped to establish Alan Sillitoe as one of the greatest British writers of his generation. The film of the novel, starring Albert Finney, transformed British cinema and was much imitated. This cult classic of working class life in post-war Nottingham follows the exploits of rebel...(展开全部)

Photographer Nick Knight has been at the vanguard of progressive image making for the past three decades. As a fashion photographer, he is one of the world’s most influential and visionary image makers. He is renowned for his groundbreaking creative collaborations with the world’s top couturiers, advertising work for major fashion brands, and award-winning editorials for premie...(展开全部)

In Beyond Good and Evil, Friedrich Wilhelm Nietzsche accuses past philosophers of lacking critical sense and blindly accepting dogmatic premises in their consideration of morality. Specifically, he accuses them of founding grand metaphysical systems upon the faith that the good man is the opposite of the evil man, rather than just a different expression of the same basic impulses that find more direct expression in the evil man. The work moves into the realm beyond good and evil in the sense of leaving behind the traditional morality which Nietzsche subjects to a destructive critique in favour of what he regards as an affirmative approach that fearlessly confronts the perspectival nature of knowledge and the perilous condition of the modern individual.

In Beyond Good and Evil, Friedrich Wilhelm Nietzsche accuses past philosophers of lacking critical sense and blindly accepting dogmatic premises in their consideration of morality. Specifically, he accuses them of founding grand metaphysical systems upon the faith that the good man is the opposite of the evil man, rather than just a different expression of the same basic impulses that find more direct expression in the evil man. The work moves into the realm beyond good and evil in the sense of leaving behind the traditional morality which Nietzsche subjects to a destructive critique in favour of what he regards as an affirmative approach that fearlessly confronts the perspectival nature of knowledge and the perilous condition of the modern individual.